
You go get f-– up and we just show up at your rescue/Carry you inside, get you some water and undress you. On the soothing track “Houstatlantavegas,” he raps about “saving” an exotic dancer from a strip club: While So Far Gone doesn’t count as a studio album - it was his final mixtape before signing with Universal Republic - it gave listeners a sneak peek into the troublesome lyrics Drake would release in subsequent years.

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Through an examination of Drake’s four studio albums, plus mixtapes, collaborative projects and guest features, it is clear that the man who made music for folks who couldn’t get over their exes was himself struggling with the basic concept of “moving on.” Drake, known for hits like 2009’s “Best I Ever Had” and 2010’s “Find Your Love,” became synonymous with quote-heavy memes on social media, and fake Twitter accounts such as pumped out fake deep quote after fake deep quote.īut the rapper’s verses about loving and being proud of college-educated, independent women - Sound so smart like you graduated college/Like you went to Yale but you probably went to Howard - paved the way for hypermasculine diatribes against the sexual agency of seemingly any woman he’s ever encountered. Sometime between Drake’s early rise and his third mixtape being converted into 2009’s So Far Gone, the rapper known for singing about his romantic feelings and the pressure of newfound fame - with a flow that made every 16 bars sound like the hottest verse ever - became his own worst enemy. My only regret was too young for Lisa Bonet, my only regret was too young for Nia Long/Now all I’m left with is hoes from reality shows, hand her a script the b-h probably couldn’t read alongĮven so-called progressive rappers fall into this trap, namely the androgynous Young Thug and the genderfluid Young M.A. But Cole, in a 2013 song, called women “b-–s” - I got smart, I got rich, and I got b-–s still/And they all look like my eyebrows: thick as hell - and patriarchally dismisses female sexuality on 2014’s “No Role Modelz”:

J.Cole’s music has taken on more social justice elements over the years (Drake has spoken out for black causes as well). While he’s constantly praised Nicki Minaj over the years, Drake belittled the Grammy-nominated artist during his beef with her former boyfriend, Meek Mill - Is that a world tour or your girl’s tour? - implying that it’s emasculating for a man to receive second billing to his significant other.Īs with stars of rock and country music, almost every successful rapper today, from Jay Z to Future to Chance the Rapper, has at some point performed lyrics that objectify or exploit women. Those songs pale in comparison to “Shot For Me,” “Marvin’s Room” and “Practice.” They are Drake at his worst. But, as is often the case with these so-called nice guys, Drake plays the charmer - he’ll call you beautiful, open doors for you and send you smiley-face emojis - but the minute he has sex with you, or you move on to someone else, he turns into Michael Ealy in The Perfect Guy. This appeals to the sensitivities of the women in his fan base. He’s played the role of Nice Guy by constantly smiling, and apparently wearing his heart on his sleeve.
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Over the past eight years, Drake’s built up a reputation as being the compassionate and less threatening (read: soft) rapper who appears on The Ellen DeGeneres Show, cuddles up with professional athletes, and gets tattoos of Aaliyah. But before we can call the new project “classic” or “trash,” before we spend the next few weeks debating the best and worst tracks, here’s the most important question that Drake has to answer: Can he stop attempting to control women? Jackson’s comments about black British actorsīut also, can he, like so many artists in 2016 - Beyoncé ( Lemonade), Solange ( A Seat at the Table), Rihanna ( Anti), Kanye West ( The Life of Pablo), Young Thug ( Jeffery) - take risks on his new album, exposing a deeper version of himself? Drake and his legion of fans - and his seemingly equal number of detractors - are waiting with bated breath for March 18 to see what the 6 God has been cooking up.


Can he again move a million units in a week? Can he prove all the doubters wrong after two years of ghostwriting allegations? Can he top “ Hotline Bling” or “ One Dance”? Can More Life overtake Take Care as Drake’s undoubted classic album? Editor's Picks With the impending release of his fifth studio album - the first since the four-time platinum, Grammy-nominated 2016 Views - Drake has many questions surrounding him.
